Limina ‘liquid light‘ installation activated by sensors. exhibited in Lumiere Festival in Durham 2021. Illuminating a desolate space underneath Durham’s historic landmark viaduct.
Commissioned by Artichoke Trust. Collaboration with Bea Wilson.
Moving image, 2019. Exhibited at The Waterman’s Centre, London and presented in a symposium as part of Trajectories II: Technology never sleeps.
This site-specific work explores the invisible networks that exist on the Watermans Arts Centre site in Brentford, London. By mapping the WiFi system from the centre, to the local telephone exchange and further to the wider national telecoms infrastructure, a landscape that is simultaneously actual and virtual is re-materialised and exposed.
These infrared images exist in a realm visible only to electronic devices.
: an investigation into the deconstruction and impact of our digital spaces.
Moving image, multiscreen installation. 2018.
Our everyday lives are increasingly dependent on digital information that defines our experiences and habitats.
The ways in which we experience our actual and virtual spaces are continuously being challenged. We simultaneously occupy both, physically and through our digital devices, but as technology becomes increasingly sophisticated the materiality of these environments is becoming more complex, blurring the boundaries between the visible and the invisible.
This work explores the physical habitat of the internet and re-materialises this unseen landscape through a process of mapping. The images document an invisible geography that reveals data centres, internet hubs, satellite ruins, and submarine cables.
Exhibited at:
MA Interior and Spatial Design Show
Chelsea College of Arts, London 2018.
Kyma (wave)
This interactive work took place in Dulwich College, 2018. Students were invited to play with audio feedback between a voice recorder and a speaker that created cymatic patterns in water.
The installation was designed as a situational experience. Exisiting in a swimming pool pumphouse (intended for a pool that was never built), the absence of water as a liminal space became the focus for the event. By using the language between the two electrical devices to materialise on a liquid surface, the participants created an audiovisual environment that was conditioned entirely in that moment.
Light installation for LOCK-IN at The Old Deptford Police Station, 2017.
Exploring disorientation through colour and light.
Collaborative audiovisual installation, London 2017.
This immersive work took place in a derelict shop. Visitors were invited to enter a wooden structure clad with various screens, and view abstract images and sounds that materialised themes of land.
Commissioned by Peckham Rye Music Festival.
Sound: Time is Away
Collaborative audiovisual installation, London 2016
Located in a dilapidated, Victorian house this group event invited visitors into a ‘living’ dwelling - a rotting house which had been transformed by digital light and sound interventions.
The artists worked together in the building collecting visual and audio samples of damp, mould, fungus and decay, and translated these into moving images and sounds to reanimate the space. Visitors were asked to the event at the close of the day - inhabiting the house as light faded to dark.
Commissioned by Peckham Rye Music Festival.
Social design project. Funded by Milton Keynes Community Foundation, 2013.
In response to research that highlighted a link between car usage and rising levels of obesity among Milton Keynes residents, this project was designed to engage local communities with the underused Redway system. Participants were invited on a series of walks with the designers, and given a toolkit which they could use to document their movements. The project concluded with a photographic series that captured unique perspectives of space and new ways of mapping the familiar.
Collaboration with Ying Suen.